Did you ever wonder how the news stories get to your TV set? Every day and night, we sit down to watch it, but where do those pictures come from? Well a lot of them come from independant cameramen just like me. Sure, the TV networks make it look like they do it all, but in truth, their camera crews are not many in number and simply cannot be everywhere. Instead, they rely quite heavily on a large network
of freelancers with the right skills and equipment. Some of those, like me are running their own production business. Personally, I am a full time video producer. As an independant, that means I am a cameraman, editor, graphic designer and photographer. Among other things. When I have time available, I log onto an "on call" system for the news services.
Sometimes I don't roll tape for news for a couple of weeks. Other times it might be daily that I get a call to respond. Like the others, I never know when that call will come. It can be the middle of the night when a call wakes me. I request that the details are texted to my phone as I get out of my warm bed. The camera gear is always packed and charged ready to roll because it is vital to be on the road within minutes of a callout.
A quick check of those directions and its off to find the scene. One of my last callouts was for another MVA (motor vehicle accident.) I always hate going to these. The callout said this was a bad one. Two cars, possibly a fatality. The location given was close to home. I remember thinking, I hope I don't know the people involved.
Finding these locations at night is easier. All the flashing lights from emergency vehicles. I arrive and speak to police on scene to identify myself. They are in the thick of it still assessing the situation and confirmed there is one person deceased. A 17 year old male driver. The other driver is injured and will need to be transported by road to hospital.
I collect my gear, hoping there not be any of the victims family on scene. The emotional side of this is difficult to handle. I set up at a respecful distance and consider the various angle that will tell the story without being too graphic. During this time, I am in communication with the on scene police officers. There is always a lot of waiting, but it doesn't matter. They are dealing with a tragedy after all.
When I have the necessary images to accompany the story, I pack up to leave only to find my hazard lights have flattened the car battery. Looks like it will be a long night. Home to bed by 2.30am. Before 6am comes the call wanting the footage I shot. Back into the car to meet one of the link vehicles. From high ground, the link vehicle points it's microwave antenna towards Sydney and I connect my camera. On the signal, I press play and 3 TV networks receive my footage instantly, some 40 klms away. In all likelyhood, I won't even see the story go to air.
Why do I do it? Well it isn't the money. With tragedies like MVA's killing young Australian's, I do it because I hope my footage will shock some kids enough to make them slow down and stop treating the roads like a computer game.
Other events such as bush fires or industrial fires can be pretty exciting in a dangerous kind of way. Our footage from events like those, sometimes ends up being used for firefighter training etc.
On any given day, I never know what will be in front of my lens. When I am not filming news, My work is the most fun I have ever been paid for. Creating projects of value for people. It might be a video to help train staff. It might be video showing the world what a company offers. It might be the highlights of a wedding day.
This is life as a cameraman.
I hope you found it interesting.